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WRITING
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| SCREENPLAY | |||||||||||||||||||||||||||
| COMICS | |||||||||||||||||||||||||||
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| LOUD BLOOD
A noir revenge story, a modern "vampire" tale, a goth-kid romance. Adapted from Caitlin Kiernan's short story, "Bela's Plot". |
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| Proximity Effect Contest Pitch
Pitched for a contest cancelled shortly after I submitted my entry. Sometimes you can't win for losing. The short set-up: The series looks at pairings througout history of "source" and "siphon" of superpowers. My entry tells of (dauphin/King) Charles and Joan of Arc enacting those respective roles. |
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| PROSE | |||||||||||||||||||||||||||
| Expect more prose in '09. Y'know, maybe. | |||||||||||||||||||||||||||
| I'll take my cue from Robert Aickman | |||||||||||||||||||||||||||
| Brother Voodoo Epic Pitch | |||||||||||||||||||||||||||
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and call these "Strange Stories": |
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| A pitch for Marvel's stillborn Epic line. | |||||||||||||||||||||||||||
| The Uneven Hand |
The artist reflects.
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| Spider-Man Unlimited Pitch | |||||||||||||||||||||||||||
| My first stab at prose after a long time away. | |||||||||||||||||||||||||||
| 11 pages of serious compression. | |||||||||||||||||||||||||||
| The Walk Home | |||||||||||||||||||||||||||
| Contact: jake(at)jakesaint(dot)com | Seba - A Kate Muncie Adventure | ||||||||||||||||||||||||||
| Written for The First Line. | |||||||||||||||||||||||||||
| The script that ended my amateur status. Bought by Atlantis Studios. They later refocused on contract/commission pieces only and were kind enough to allow publishing rights to revert to me. So, you know, I can sell it again. | |||||||||||||||||||||||||||
| Short and... sweet? | |||||||||||||||||||||||||||
| Mona | |||||||||||||||||||||||||||
| Conceived as an exercise based on the first sentence, "Mona" grew some long legs. | |||||||||||||||||||||||||||
| Would you like to encourage the artist? With PayPal, you can! | |||||||||||||||||||||||||||
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Home
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| Spider-Man, Brother Voodoo and other unoriginal characters appearing in those scripts are, of course, property of Marvel Entertainment. | |||||||||||||||||||||||||||